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Friday, October 17, 2014 - 6:00pm

We’ve received some news that’ll be sad for those of you who’ve enjoyed the music of The Manhattan Transfer over the years: Tim Hauser, who helped found the group way back in 1969, has died at the age of 72.
Friday, October 17, 2014 - 11:24am
Dire Straits

34 years ago today, Dire Straits released Making Movies, an album which failed to change the band’s then-declining chart fortunes in the US – their debut hit #2, but their sophomore effort, Communiqué, only climbed to #11, and this one topped out at #19 – but provided them with their third consecutive top-five album in the UK.

Making Movies was co-produced by Dire Straits frontman and songwriter Mark Knopfler with Jimmy Iovine, a pairing which came about as a result of Knopfler being so smitten by the sound of Patti Smith’s cover of Bruce Springsteen’s “Because the Night.” In addition to his own work on the album, Iovine also helped the band secure E Street Band keyboardist Roy Bittan for the Making Movies sessions, which definitely added a new element to the Dire Straits sound.

Friday, October 17, 2014 - 10:03am
Manfred Mann

50 years ago today, Manfred Mann found themselves atop the Billboard Hot 100 for the only time in their career, but if you’re only going to hit the top spot once, then it might as well be with a song as instantly memorable as “Do Wah Diddy Diddy.”

Written by Jeff Barry and Ellie Greenwich, a duo well known for their work in and around the Brill Building, “Do Wah Diddy Diddy” was originally recorded by an American group called the Exciters, under the title “Do-Wah-Diddy,” but while they didn’t find the same degree of success with the song as Manfred Mann did, they did make it onto the Hot 100 with their version, if only to the #78 spot. Still, it was high enough to bring the song a certain amount of attention, ultimately resulting in Manfred Mann – who’d broken into the UK top five with “5-4-3-2-1” but were still struggling to find consistent success with their own material – taking a shot at the song themselves.

Friday, October 17, 2014 - 9:17am


Could be the first Peter, Paul and Mary track I ever heard. A staple at summer camp, it was emblematic of the folk boom, hell, we even had a folk TV show, "Hootenanny."

Everybody knew the lyrics and longhaired girls strummed the tune on acoustic guitars and this could have been the first moment I realized the power of music to get the hormones flowing.

I probably heard this sung before I heard the recording. That was the power of songs back then, when they could be sung. And we did.


A Pete Seeger/Lee Hays composition, it's hard to overestimate the ubiquity and impact of this track. It went to number 10 and my mother bought the single and at this distance it stands out as a protest song, its lyrics are most meaningful, and even though this was only 1962, the youthquake had already begun, questioning authority and standing up for the rights of the underprivileged...we saw that on the news every day, the South was roiling, it was part of the conversation, no one ignored the issues of the day the way they do today, feeling helpless against the system. The system was just one more enemy to be confronted and defeated.

Thursday, October 16, 2014 - 11:29am

It’s been buzzed about for several days now that Foo Fighters would be spending a full week as the musical guests on CBS’s The Late Show with David Letterman, but we were as surprised as anyone when we found out that Dave Grohl and the gang would be bringing a few friends along for the ride, including the one and only Tony Joe White.

Last night, White joined forces with the Foos for a scorching version of his signature song, “Polk Salad Annie,” which hit #8 on the Billboard Hot 100 back in 1968, and if “Annie” has ever shown her age in the past, she sure didn’t last night.

Thursday, October 16, 2014 - 11:18am
Rhino Factoids

On October 15, 2006, one of the most famous concert venues in rock history held its final performance, which means that today marks the eight anniversary of a lot of music fans waking up to the end of an era and a world without CBGB...well, sort of, anyway.

When CBGB opened in 1973, owner Hilly Kristal had a vision that the venue would spotlight country, bluegrass, and blues music, which – just in case you never knew – is what the initials in the club’s name stand for. While musicians falling into those genres no doubt played there over the course of its 30+ year run, it became much more well known for having helped usher in the New York punk scene of the ‘70s, with its stage providing a space for some of the early gigs by Blondie, the Ramones, Television, Talking Heads, Patti Smith, and many, many others.