We hate to interrupt your Sunday with bad news, but we’ve just gotten the word ourselves, and we knew that Rhino’s readership would want to know: Scott Asheton, drummer and founding member of The Stooges, died yesterday.
Word of Asheton’s death came courtesy of Iggy Pop himself, who offered the following statement via his official Facebook page:
My dear friend Scott Asheton passed away last night.
Scott was a great artist, I have never heard anyone play the drums with more meaning than Scott Asheton. He was like my brother. He and Ron have left a huge legacy to the world. The Asheton's have always been and continue to be a second family to me.
My thoughts are with his sister Kathy, his wife Liz and his daughter Leanna, who was the light of his life.
The First Three Albums Newly Remastered, Each With An Additional Disc Of Previously Unreleased Companion Audio. Multiple CD, Vinyl, And Digital Formats, Including A Super Deluxe Boxed Set, Available June 3
No matter how many times you may have listened to their music, you've never heard Led Zeppelin like this before.
Beginning with the June 3 release of deluxe editions of Led Zeppelin, Led Zeppelin II, and Led Zeppelin III, the band will launch an extensive reissue program of all nine of its studio albums in chronological order, each remastered by guitarist and producer Jimmy Page. Led Zeppelin will also open its vaults to share dozens of unheard studio and live recordings, with each album featuring a second disc of companion audio comprised entirely of unreleased music related to that album.
"The material on the companion discs presents a portal to the time of the recording of Led Zeppelin," says Page. "It is a selection of work in progress with rough mixes, backing tracks, alternate versions, and new material recorded at the time."
Each album is now available for pre-order in the following formats:
Kraftwerk, Computer World / Techno Pop / The Mix (Remastered): It couldn’t be more perfect timing for these three albums to be remastered and join Rhino’s digital catalog, given that, starting on March 18, the legendary German electronic band will be performing the first two in their entirety on March 20 as part of their five-night stint at Los Angeles’ Walt Disney Concert Hall. 1981’s Computer World may be best remembered for its title track and the single “Pocket Calculator,” but whatever you consider its signature tracks, it’s generally considered to be a highlight of the band’s discography and has often been described as one of the best albums of the 1980s, period. Meanwhile, if 1986’s Techno Pop doesn’t ring a bell, it’s possible it’s because you purchased it when it was still called Electric Café (the change in name – to the band’s original working title for the album – took place when it was reissued in 2009), but the singles “Musique Non Stop” and “The Telephone Call” will probably stand out either way. As for 1991’s The Mix, you won’t be hearing that one live, as it’s a remix album, but for longtime fans who appreciate a good reconstruction and/or reinvention, the 11 tracks are certainly still worth hearing.
Late last year, a collection of the best moments from Crossroads 2013, Eric Clapton’s annual guitar festival, was released digitally and on CD, but when one looks at the track listing and the sheer volume of classic songs included therein, it’s hard for an old-school audiophile to avoid dreaming of hearing the whole thing on vinyl. As it happens, though, some of those very audiophiles work here at Rhino, and as a result, the vinyl release of Crossroads 2013 is in stores today!
If you’re one of those Chicago fans who’s been grousing about the fact that the band’s 1975 live album, Live In Japan, has only been available in digital form for the past several years, prepare to be excited: as of today, it’s finally back in print on CD.
Recorded during a three-night stint at the Osaka Festival Hall in 1972 while the band was touring behind Chicago V, Live in Japan has often been described by fans and even the occasional band member (stand up, please, Walter Paradzeider) as sounding significantly better than Chicago’s previous live album, Live at Carnegie Hall, a.k.a. Chicago IV. Unfortunately, the Osaka shows haven’t been heard by nearly as many ears, as Live in Japan initially only saw release in Japan, and while that does make at least a little bit of sense, it’s still surprising that it took until 1996 for the album to earn a Stateside release, and even then only via the band’s own label, Chicago Records.