Jazz singer-turned-chef Tim Hauser of The Manhattan Transfer wants you to try his premium tomato-based Italian style pasta sauces. Learn more about the singer's "I Made Sauce" pasta sauces over here. Donate and you could find yourself in swag from The Manhattan Transfer and I Made Sauce.
On March 14, Morrissey’s fourth proper studio album, Vauxhall and I, celebrated its 20th anniversary... and on June 3, 2014, the celebration continues, with Rhino releasing the definitive master of the album.
When Vauxhall and I was originally released, the reviews were, for all practical purposes, just as rapturous as those doled out to its predecessor, 1992’s Your Arsenal. Q described the lyrical tone of the album as “predictably melodramatic and self-pitying” but “more resigned and even peaceful,” and handed out a five-star rating,” while the All Music Guide suggested that album contained “some of Morrissey’s best material since the Smiths,” adding that, “out of all his solo albums, Vauxhall and I sounds the most like his former band, yet the textured, ringing guitar on this record is an extension of his past, not a replication of it.” The record-buying public proved to be equally charmed, sending the album to the top of the charts in the UK and providing him with the highest-charting US album of his career up to that point (#18).
Ever heard of The Marcus Hook Roll Band? If not, it’s no real surprise: they only released a handful of singles and a lone studio album – 1973’s Tales of Old Grand-Daddy, produced by Alan “Wally” Waller – in their short lifespan. With that said, however, if you’re an AC/DC fan, you probably should be familiar with The Marcus Hook Roll Band, as the group’s lineup on the album featured Malcolm and Angus Young, who would, in short order (we’re talking before the end of ’73), start their own outfit. As for Tales of Old Grand-Daddy, it’s been pretty hard to come by for the past several decades, but your friends here at Rhino have finally remedied that problem.
We also hopped on the phone with the album’s producer to get his recollection about his experiences on the project, and Waller was nothing short of giddy to chat with us, having already enjoyed the opportunity to talk with several other journalists about his work with The Marcus Hill Roll Band. “I don’t think anybody from AC/DC can or actually wants to speak to anybody at the moment, because I think nobody really knows what’s happening with Malcolm’s health problems at the moment, so that’s why they’ve put me up for all this stuff,” he admitted. “But I’ve had the loveliest week speaking to you guys from all over the place, and…well, anyhow, here I am!”
During the late ‘80s and early ‘90s, few teen pop sensations were quite as ubiquitous on the radio as Debbie Gibson. With the insidiously catchy hooks of songs like “Shake Your Love” and “Out of the Blue,” smoldering ballads like “Foolish Beat” and “Lost In Your Eyes,” and – lest we forget – the anthemic “Electric Youth,” Gibson provided the soundtrack to many an adolescence while in the process sending five songs into the upper reaches of the Billboard Hot 100.
That instant familiarity is certainly one of the things that led to her latest gig: serving as a judge on ABC’s new celeb-reality competition series, Sing Your Face Off. Naturally, Gibson chatted with Rhino about her new endeavor – that’s how we came to chat with her, after all – but she was also game to dig into her back catalog to chat about the origins of her sound, writing with Lamont Dozier, getting advice from Ahmet Ertegun, and singing with everyone from Placido Domingo to the Circle Jerks.
New this week in the Rhino Room at iTunes:
Linda Ronstadt, The ‘90s Collection: When Ms. Ronstadt released her Duets compilation last month, the content was decidedly heavy on her ‘70s and ‘80s material, with a bit of a spotlight on Adieu False Heart, her 2006 collaboration with Ann Savoy, but it didn’t do much to remind listeners of the strong work she was continuing to deliver during the ‘90s. Thankfully, this new set does wonders to alleviate that problem by offering up more or less everything she delivered during the ‘90s…or at least the six studio albums she released during the decade, anyway: Mas Canciones (1991), Frenesí (1992), Winter Light (1993), Feels Like Home (1995), Dedicated to the One I Love(1996), and We Ran(1998). Although Ronstadt’s sales figures might not have been through the roof at the time, she continued to receive acclaim for her work, with Frenesí winning the Grammy for Best Tropical Latin Album (which really is a thing, honest) and Dedicated to the One I Love winning for Best Musical Album for Children, while both Winter Light and Feels Like Home featured singles which scored some decent success on adult-contemporary radio, including “Oh, No, Not My Baby” and “The Blue Train.” Several of these albums have slipped out of print over the years, too, so it’s nice to know that the whole bunch is available again, but if there’s an underrated gem worth investigating, it’s probably We Ran, which features Ronstadt interpreting tracks by Bruce Springsteen (“If I Should Fall Behind”), Bob Dylan (“Just Like Tom Thumb’s Blues”), and John Hiatt (“Icy Blue Heart” and the title track).