Last year, Rhino was fortunate enough to be able to pay tribute to the late Robin Gibb with the posthumous release of his final album, 50 St.Catherine’s Drive, a 17-track collection of material which featured – among other songs – “Sydney,” the last song Robin recorded in his lifetime. Now, we’re proud to continue reminding music fans of the underrated solo career of the Bee Gees singer with the release of Saved by the Bell: The Collected Works of Robin Gibb 1968-1970.
If a three-year span doesn’t seem like it would result in a tremendous amount of material, then we’re happy to assure you that your concerns are misplaced. This three-disc, 63-track set kicks off with Gibb’s debut solo album, Robin’s Reign, which has been expanded from its original 11 songs to include an additional nine tracks that feature a mixture of mono versions and previously-unissued tracks. From there, fans will be ecstatic to find 20 tracks from Gibb’s Sing Slowly Sisters sessions, which produced the ultimately-unreleased album of the same name. Yes, we know that some of you may have managed to obtain a copy of this effort through, uh, somewhat illicit means, shall we say? But trust us: whatever you may have heard doesn’t sound nearly as good as this does. Lastly, the third disc is entitled Robin’s Rarities, and the title may make its contents self-explanatory, rest assured that we’ll be including the full track listing to this set below, so that you know each and every inclusion among the disc’s 23 tracks, plus what’s on the other two discs, too.
Electronic, Electronic: The term “supergroup” gets thrown around a lot in the world of music, but what other term would be apropos for the teaming of Bernard Sumner of New Order, Johnny Marr of The Smiths, and Neil Tennant of Pet Shop Boys fame? Yep, that’s what we thought, too, so “supergroup” it is, then!
New this week in the Rhino Room at iTunes:
Sick of it All, Dragon Power: If you’ve been paying close attention to our past Digital Roundups, then you might’ve noticed that this live EP – originally released as a promotional item in Japan, oddly enough – was supposed to have hit our digital catalog some time back, but for reasons best known to folks well beyond this writer’s pay grade, it didn’t happen…until now. This unique release technically features nine tracks, but five of them are actually two-fers, although two of those two-fers are the same songs, just recorded in different locations. Y’see, the first four tracks were recorded in New York, the next two tracks were recorded in Nagoya, and the final three tracks were recorded in Osaka. Look, just trust us: if you’re a Sick of it All fan, you’ll want it all.
If there’s any band that can rival The Grateful Dead when it comes to having diehard followers that are forever champing at the bit to hear live performances from their heroes, it’s got to be Yes. No matter what members may be in the lineup at any given time, there’s always a huge core audience that’s ready to turn up to their concerts and thrill to every last note. As such, if your first reaction when you heard about the new box set Progeny: Seven Shows from Seventy-Two was to think, “Geez, what band has the kind of fans who’d get excited about getting seven concerts from the same tour?” then we’re here to tell you that the answer is Yes.
In 1972, Yes was riding high on the success of Close to the Edge, and audiences were coming out in droves to see them reproduce that material in a live setting and, with any luck, they’d get to hear some of the band’s earlier material in the set, too. (They did.) Recently, the members of the band stumbled upon reel-to-reel recordings of seven complete concerts which took place only a short period of time before the shows that made up the live album known as Yessongs, and now that they’ve used the cutting-edge technology of 2015 to make them sound as pristine as possible, we here at Rhino are bringing the recordings to you.
There are some Miles Davis albums that are universally heralded as works of genius, and there are others that have earned decidedly divisive opinions over the years. Tutu definitely falls into the latter category, but for those who appreciate the more mainstream side of Miles, it’s always proven to be a solid listen, and if you’re in that camp – and if you enjoy spinning your jazz on your turntable – then stand by for spectacular news.
This week, we’ve released a deluxe edition of Tutu on 180-gram vinyl, and it’s a four-sided affair which latter-day Davis fans will adore. The first LP features the re-mastered version of the original album, while the second LP features five live performances from Davis’s appearance at France’s Nice Festival in 1986. Better yet, there are only two tracks that cross over between the two records – “Portia” and “Splatch” – and even they end up on separate sides of the second LP.