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The Lefsetz Letter

The Major Label Death March

by Bob Lefsetz

By perching themselves at the top of the pyramid, not interested in albums with initial sales potential less than gold (500,000), the major labels are insuring their own marginalization. For it's a long tail world, and he who does not participate in it is doomed.

An aggregator must give something to its stable of clients, and at this point the only thing major labels offer is a potential moon shot. With a failure rate far higher than the Space Shuttle. And, other than John Glenn, what astronaut has had a career AFTER his brief trip to outer space?

Follow the porn industry. Anybody with a body to bare has LEFT the aggregator to go it alone. For they're sick of being ripped off by the fat cats, "Playboy" emulators who believe their brand is bigger than the body. As if EMI were bigger than the music. That's the future. Everybody's cottage industry. And those who profit sit ON TOP of the cottage industry. Offering a lot for very little. A la Google. That's where you go to find out about everything, but they make their money elsewhere, off advertising from the glut of eyeballs they generate.

This TV story is both dazzling and informative.

While the major labels bickered about the price of tracks at the iTunes Music Store, the television networks realized selling shows for $1.99 on Apple's site WAS NOT WHERE IT WAS AT! Was a veritable SIDESHOW! Leaving most people OUT!

Credit AOL. With broadcasting old sitcoms like "Welcome Back Kotter" on its site. Suddenly, Disney is broadcasting NEW shows one day later, and now Fox has followed suit. These companies realize that they must satiate the CUSTOMER, not THEMSELVES! That people don't want to own the damn shows, they just want to SEE THEM! Sure, you can steal them P2P, but if you can just click and watch them WHENEVER YOU WANT, what's the POINT?? Maybe sell them all as a package of files a la DVDs in the future, then again, if everything's always available, why do you have to OWN IT? As for the commercials, if you can pause, if you're watching the shows when YOU want, you can burn that time in front of the fridge, you can take a dump, it's not like "All In The Family" is only on for half an hour Thursday night and if you miss it you're fucked until RERUNS!

Micropayments are bullshit. It's like being pecked to death by ducks. By charging per track at the iTunes Music Store, the major labels are MARGINALIZING THEMSELVES! Americans want to know what the price is. They don't want to be hit with endless charges, if so, they DON'T BUY!

TV networks are taking advantage of the Net. Major labels are not. There's nothing new about iTunes Music Store distribution other than you get a shittier product for an equal aliquot track price as you do with the CD.

To survive, the majors must distribute ALL music. Even that which sells ten copies. They must SKIM profits, not make ALL the profits. And they must distribute the product in a form their clientele finds desirable and usable. In other words, no DRM. Complete portability. More tracks for fewer dollars. In other words, flat fee pricing. Yup, all you can eat for a few bucks a month.

There's a way out, licensed P2P.

Don't expect the majors to take it. Instead, in front of EVERYBODY they're making themselves irrelevant. Ceding the music landscape to those younger and more innovative. BELIEVE ME, some twentysomething's going to aggregate and own online distribution charging very little. Along the lines of CD Baby, but DIGITALLY!

With the Net, distribution costs go down very low. If more people own more music everybody makes more money. Venues are full. Careers burgeon. This is the music savior we've been waiting for. DON'T listen to the RIAA bullshit!

Bob Lefsetz, Santa Monica-based industry legend, is the author of the e-mail newsletter, "The Lefsetz Letter". Famous for being beholden to no one, and speaking the truth, Lefsetz addresses the issues that are at the core of the music business: downloading, copy protection, pricing and the music itself. His intense brilliance captivates readers from Steven Tyler to Rick Nielsen to Bryan Adams to Quincy Jones to EVERYBODY who's in the music business. Never boring, always entertaining, Mr. Lefsetz's insights are fueled by his stint as an entertainment business attorney, majordomo of Sanctuary Music's American division and consultancies to major labels.

While Rhino may occasionally disagree with some of Bob's opinions, we certainly agree with his right to state them. At the bottom of each column we give you, the reader, the opportunity to respond and we encourage you to do so. We will post select comments.


LET US KNOW WHAT YOU THINK.

A word about submissions: We post what you give us, so please don't include your email address or any personal info. Your comments reach Rhino, not necessarily the writer, so don't expect a reply from them (or us, see our help section for contact info). We gather and post your submissions in batches, so do expect a short delay. And don't get bent if we edit your comments. We probably won't, but we reserve that right.


Comments:

why own when you have constant access? because we're Americans, dammit!! (well, i am anyways) we define ourselves by our property, we're nobody without our stuff, and our capacity to get more stuff. nevermind how crappy the product, that's par for the course. the people selling us this shoddy schlock know us, understand us, and so the sell to us, and we buy, just like we were raised to.
bummer, right? can't wait to buy more stuff from Rhino, love ya!
C Buckridge

I want my "Wulla Bulla" w/o the bull, please and thank you for the concise delivery; keep it up

Bob your opinion is right on. I'm 45 and enjoy quality music from DVD-Audio/SACD. MP3 is ok on the run but I still enjoy "listening" to music. All the majors want to abandon these formats. The DVD-A/ SACD never caught on due to lack of promotion and having to have an engineering degree on what equipment to use and the six analog connections required to listen to full resolution audio. If Dual Disc and Hybrid SACD had been marketed first, maybe these formats would not cater to a niche market. DRM was also a death knell for full resolution audio. As we age, most people want better quality audio and playback systems. Guys my age kept the record industry afloat buying the same album on each new format-LP to 8track-cassette-CD to DVD-A/ SACD. Like you said how greedy do they want to be? Again why did it take them so long to realize the consumer preferred DVD's over CD's for the convenience of having their favorite artists in video and audio? Seems like the majors will never be ahead when it comes to consumer choice and technology.
Thanks for listening........
Jim Mc Connell

bye bye major labels... and how come when whining about the dwindling downfall of cd sales - no one talks about the LOW QUALITY of mp3 sound?... i feel sorry for anyone who actually pays money for downloads. is this the death of the album? have we all become "compilers"?... no wonder everyone's gone completely nostalgic...




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