Rhino Records HomeStore News And Notes Fun About Rhino Help My Cart
CDs DVD and Video Vinyl Store Collectibles: Rhino HandmadeWireless: Music for your cell phone
Newsletter

Sign up here and we'll let you know what’s up

(optional)
HTML Text

[0] comments


Rhino Recommends

Aesop Rock - Fast Cars, Danger, Fire And Knives (Definitive Jux)

by Brandon Stosuy

Aesop Rock - Fast Cars, Danger, Fire And Knives

:: Buy Now: $16.98
:: Details

Lazybones critics are overly fond of referring to Bright Eyes' Conor Oberst as the new Dylan, but the gravelly old timer's heir apparent is more likely Aesop Rock, hip-hop's most complex and literary lyricist. The deep-voiced Brooklyn emcee's already dropped a brilliant working class concept album, 2001's Labor Days, as well as a surrealistic, super-dense, apocalyptic caveman carnival freak show, 2003's Bazooka Tooth. Showcasing his syllables, the first 20,000 copies of the spitter's newest collection, the seven-song Fast Cars, Danger, Fire And Knives EP, comes with a jam-packed 80-page lyric book spanning Aesop's complete output. Read straight through, the libretto's a revelation, raising the bar for facile emcees that can't move beyond lazily embarrassing bitches/hoes/ganstas bullshit. For instance, the randomly picked "Put one up for shackle-me-not clean logic procreation / I did not invent the wheel I was the crooked spoke adjacent / While the triple sixers lassos keep angels roped in the basement / I walk the block with a halo on a stick poking your patience," from 2001's "Daylight," should make any number of Rocawear-ing no-hangs take a vow of silence. While not his best, the tracks feature tight, playful Shaft/"Jam On It"-style choruses, glittery/oblique one/two/three-liners ("Mud pie cruiser with an oink for the innocent / I blame it on the ambiguous quote/unquote system") and crystalline Blockhead production. Some tired porn samples momentarily weigh things down with mainstream rap cliché, but regardless, if there's any hip-hop justice, it's only a matter of time before Aesop Rock becomes a smarty-pants household name.

More Reviews

Brandon Stosuy, a staff writer at Pitchfork, contributes to The Believer, Magnet and the Village Voice. He has also written for Arthur, Bookforum, L.A. Weekly, and Slate. Up Is Up, But So Is Down, his anthology of downtown New York literature, will be published in 2006.


LET US KNOW WHAT YOU THINK.

A word about submissions: We post what you give us, so please don't include your email address or any personal info. Your comments reach Rhino, not necessarily the writer, so don't expect a reply from them (or us, see our help section for contact info). We gather and post your submissions in batches, so do expect a short delay. And don't get bent if we edit your comments. We probably won't, but we reserve that right.





Let I Bleed Book

What's Inside the Rhino Magazine

Subscribe to Feed

Subscribe in Bloglines

home :: news & notes :: store :: about rhino :: fun stuff :: help :: my cart :: privacy policy :: terms of service