February 1982: The J. Geils Band Rule America with FREEZE-FRAME

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Monday, February 21, 2022
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FREEZE FRAME

For Boston boogie-woogie rock legends The J. Geils Band, the tenth time was the charm. The group's tenth studio album, Freeze Frame, would be the one to bring Peter Wolf and company the one thing that had eluded them over the band's entire career: a chart-topping album.

While The J. Geils Band's third studio LP, Bloodshot (1973), had been a breakthrough release that peaked at #10 on the Billboard 200, the arena-rocking concert favorites were unable to replicate that success on the album charts since that moment. After seeing the success of ninth studio album, Love Stinks (1980), which rocked FM radio and crashed the top 20 to peak at #18 on the Billboard 200, The J. Geils Band pushed all their chips into the middle of the table when it came time to record Freeze-Frame.

"Freeze-Frame definitely has to do with the state of the world, in our interpretation of it," keyboardist Justman told Kurt Loder for Rolling Stone in 1982. "We felt we had to deal with issues now –– especially now. The world is so f**ked up –– the nuclear bullshit, the economic state. I think what an artist has to do is interpret in his own way where things are, at a particular time. That's the best thing. And for us, freeze frame is also the point at which, as you're going forward… It’s what you see as you go forward and look back."

The J. Geils Band kicked off the Freeze-Frame campaign with lead single, "Centerfold." The song's catchy harmonica-powered refrain about a guy who discovers his high school crushing posing in a girlie magazine was a smash, rocking up the charts to peak at #1 on the Hot 100 for the week of February 6, 1982. The track held tight to the top spot for six weeks straight.

The band went to the album's title track, "Freeze-Frame," for the second single. The upbeat and horn-blasted tune dance up the Hot 100 to peak at #4 for the week of April 10, 1982. The single came with the high-energy and relentless funky "Flamethrower" on the b-side, a song that rocked dance floors as well as black radio playlists to reach #12 on the Billboard Dance Club Songs chart, and #25 on the Hot R&B Songs chart.

The third and final single from Freeze-Frame was wistful Stones-y ballad "Angel in Blue." Proof the The J. Geils Band's power and popularity in 1982, the slow song waltzed up the charts to reach to the top 40, peaking at #40 for the week of July 3, 1982. The #1 song in America that week: The Human League's "Don't You Want Me."

Released on October 26, 1981, The J. Geils Band's Freeze-Frame rocketed up the charts to peak at #1 on the Billboard 200 for the week of February 6, 1982. The album owned the #1 spot for four weeks straight--the entire month of February 1982. The LP finally relinquished the top spot for the first week of March 1982 to the Go-Go's debut album, Beauty and the Beat.

"We're really excited about where we're at now," Justman told Rolling Stone during the Freeze-Frame tour. "As a band, as musicians and as people. I think we've developed a totally unique sound. Any band that sounds this way now is either the J. Geils Band or somebody who sounds like the J. Geils Band."