Content tagged ''
Where I'm Bound (Album of the Day)
Born on this day in 1931, Bob Gibson was a 10-year veteran on the folk scene when he released WHERE I'M BOUND in 1964, and he brings all that experience to bear on this fine set. Most of the 14 tracks on the Elektra collection feature simple acoustic guitar and vocal arrangements, but Gibson is a stirring singer and his 12-string playing was never better. In contrast to earlier releases, most of the material here is original, including such highlights as “The Town Crier's Song” (penned with frequent collaborator Hamilton Camp), “Fog Horn” and “The New 'Frankie and Johnnie' Song,” one of several co-written with author/cartoonist Shel Silverstein. Gibson's final album of the 1960s and one of his very best, WHERE I'M BOUND shows why such stars as Roger McGuinn, Judy Collins and Simon & Garfunkel were fans of the performer.
Summertime Dream (Album of the Day)
Still going strong after more than half a century in the business, Gordon Lightfoot is among Canada's greatest musical exports – he was inducted into the nation's Songwriter Hall of Fame on this day in 2003. SUMMERTIME DREAM captures the singer-songwriter at the peak of his popularity; the 1976 Reprise collection reached #12 on the U.S. album chart, and its success is easy to understand. There are plenty of outstanding originals here, such as “Race Among the Ruins,” “I'm Not Supposed to Care” and “The Wreck of the Edmund Fitzgerald,” a Top 10 hit whose timeless feel belies the fact that the real-life maritime disaster it's based on happened mere months earlier. Just as important as the top-notch material are the performances, and Lightfoot is in great voice throughout SUMMERTIME DREAM with a backing band (including gifted electric guitarist Terry Clements and pedal steel ace Pee Wee Charles) that sounds equally inspired.
Waiting For the Sun (Deluxe Edition) (Album of the Day)
The Doors' WAITING FOR THE SUN was the band's third platinum album in less than two years and the first to top the album chart. The collection has sold millions of copies around the globe and contributed to the Doors' legendary canon with classics like “The Unknown Soldier,” “Five To One” and the #1 smash “Hello, I Love You.” To commemorate the golden anniversary of the 1968 album, Rhino has just released a Deluxe Edition featuring a new version of the original stereo mix on both CD and 180-gram vinyl LP, remastered by longtime Doors engineer/mixer Bruce Botnick. The WAITING FOR THE SUN: 50th ANNIVERSARY DELUXE EDITION also includes a second CD of 14 completely unreleased tracks: nine recently discovered “rough mixes” from the album recording sessions and five live songs from a 1968 Copenhagen show.
Howard Tate (Album of the Day)
Howard Tate got his start singing gospel in a Philadelphia group that also included vocalist Garnet Mimms, who eventually introduced him to producer Jerry Ragovoy. That partnership resulted in three albums, the second of which is this fine 1972 self-titled set for Atlantic Records; if less well-known than his earlier work for Verve, the collection is an equally effective showcase of Tate's talents. Along with several songs by R&B hitmaker Ragovoy, the dozen tracks include a distinctive version of Bob Dylan's “Girl From the North Country” and a Curtis Mayfield-esque closing number, “The Bitter End,” penned by Howard himself. Top session players frame the alternately sweet and gritty vocals perfectly here, and any fan of funky '70s soul should check out HOWARD TATE.
Forever Young (Album of the Day)
Perhaps if Alphaville had originated in England they'd be as revered as Erasure or Pet Shop Boys among synth-pop fans; the music on FOREVER YOUNG certainly has comparable appeal. The debut album from the Berlin-based trio features electronic beats and infectious melodies galore, with frontwoman Marian Gold's soaring voice bringing these 10 emotion-laden originals home. Highlights include “Fallen Angel,” alternative radio favorite “Big in Japan” and the title track (which was released as a single on this day in 1984), but the set is consistently listenable throughout. A hit on the continent and arguably Alphaville's finest hour, FOREVER YOUNG will delight both newcomers curious about '80s dance-pop and those who remember the decade's synthetic sounds fondly.
Absolution (Album of the Day)
“I think that absolution is not necessarily a religious word,” noted Muse frontman Matt Bellamy of the title of their third studio set. “I think it's just suggesting that the act of making music is a way of understanding things.” By the sound of the 2003 album, the British trio was grappling with some heavy issues - the Iraq War, fears of societal collapse and more among them. Counterbalancing the intense lyrics are epic arrangements mixing art rock, progressive metal and orchestral flourishes on such highlights as “Stockholm Syndrome,” “Time Is Running Out,” “Butterflies and Hurricanes” and “Hysteria.” Listeners responded to the band's towering ambition; it topped the U.K. album chart and went gold in America, establishing Muse's fanbase stateside. Anyone who enjoys dark, dramatic music played with go-for-broke grandeur should seek ABSOLUTION.
Music For The Masses (Album of the Day)
Depeche Mode songwriter Martin Gore may have described the British band's sixth studio album as “anything but music for the masses,” but the 1987 collection's tongue-in-cheek title had more than a little truth to it. MUSIC FOR THE MASSES ventures into darker goth territory than some of the group's earlier work, with such tracks as “Pimpf” showing off their experimental side, but given such hook-filled songs as opener “Never Let Me Down Again,” “Behind the Wheel” and “Strangelove,” the stadium-filling success of the supporting tour seems inevitable. Greeted with critical acclaim as well as a platinum RIAA certification, MUSIC FOR THE MASSES was a major breakthrough for Depeche Mode, and we'll give it another spin now to wish lead singer David Gahan a happy birthday.
Mars Needs Guitars (Album of the Day)
From the opening notes of “Bittersweet,” it's clear the Hoodoo Gurus have upped their game on MARS NEEDS GUITARS. The Sydney quartet's second album has the retro-'60s orientation of their debut, but with a more polished, mature sound that suits these 10 originals well. “Death Defying,” “Poison Pen” and surf-tinged “”Like Wow – Wipeout” were additional Australian singles from the pen of frontman Dave Faulkner, but several other tracks on this consistently engaging set could have also made the cut, pairing clever lyrics with power-pop/garage-rock punch. The 1985 collection made the lower rungs of the Billboard chart, and exposure on college radio and MTV gave the Gurus a foothold in America that lasted through the end of the decade. But the appeal of this outstanding album transcends both its time and geographic origins – MARS NEEDS GUITARS, and so do you
Making Movies (Album of the Day)
By the time of MAKING MOVIES' 1980 release, it was clear that Dire Straits had few peers when it came to literate, roots-informed rock. Singer-songwriter-guitarist Mark Knopfler was always the British band's focal point – even more so with the departure of brother David on this third album - but the frontman rose to the occasion. With arrangements as ambitious as its cover art is minimal, the Warner Bros. set features seven cinematically rich originals including “Romeo and Juliet,” “Tunnel of Love” and “Solid Rock.” The collection was co-produced by Jimmy Iovine, who called on old friend (and E Street Band member) Roy Bittan to add his distinctive keyboard work to the mix. Both passionate and poetic, MAKING MOVIES was a hit with fans, reaching platinum certification, and remains among Dire Straits' very best.
Last of the Independents (Album of the Day)
Now celebrating its 25th anniversary, LAST OF THE INDEPENDENTS marked a strong return to form for the Pretenders. The baker's dozen songs include originals ranging from tough (“Rebel Rock Me”) to tender (the classic anthem “I'll Stand by You”), with a couple of great covers to boot (the performance of Dylan's “Forever Young” is particularly stirring). Cut in London, the album was helmed by Smiths producer Stephen Street, Tears for Fears' Ian Stanley and the venerable Chris Thomas, who'd done the honors on three previous Pretenders collections. Also returning to the fold is original drummer Martin Chambers (and for one track, guitarist Robbie McIntosh), though with her commanding vocals, the record undoubtedly belongs to Chrissie Hynde. The final Pretenders set for Sire Records, the gold-certified LAST OF THE INDEPENDENTS brings the initial chapter of the band's history to a terrific close.