If you thrilled to the sounds of shoegaze in the 1990s, wept when Ride disbanded, and have been treating the possibility of the band ever reuniting like a daydream, then it’s time to smile: guitarist Andy Bell, singer Mark Gardener, bassist Steve Queralt and drummer Laurence Colbert are apparently now in a different place, as they’ve announced that they’re getting back together and doing a series of tour dates while even going so far as to tease the possibility of the foursome writing and recording some new music together.
"It's going to be really cool,” Bell assured New Musical Express. “As we were all still friends, we always thought when the time was right we'd do it. And now the time is right."
"I guess it's something that's something that's always been there, chipping away like some little devil on your shoulder," Gardener told XFM. "There's a lot of unfinished business there. I can't imagine anything better than playing with Ride again."
Many a Genesis fan could be heard giggling with glee when we released the band’s career-covering compilation R-Kive a short time back, but the fun has only begun for those of you who’ve enjoyed the collective efforts of Phil Collins, Tony Banks, Mike Rutherford, and – back in the old days – Peter Gabriel and Steve Hackett: we’re rolling out some new reissues of the band’s catalog, and the first wave is in stores now.
If you remember the box sets we released back in 2008 – we’re talking about the Genesis 1970-1975, Genesis 1976-1982, and Genesis 1983-1998 collections – and you’ve spent the intervening years since they hit record store shelves grousing about the fact that you owned some of the albums in the sets but not all of them and didn’t want to plunk down the dough to pick them up because of that… Actually, we can see the steam coming out of your ears from here, but cool down: at long last, you can finally get the 2008 mixes of the albums done by Nick Davis and the band.
New this week in the Rhino Room at iTunes:
Mike + The Mechanics, Mike + The Mechanics / Living Years / Word of Mouth / Beggar on a Beach of Gold / Rewired / Hits: It’s hard to gauge exactly who was aware of it and who wasn’t, but for the past several years, one of the more notable absences from iTunes – at least here in America, anyway – has been the back catalog of Mike + The Mechanics. What started as Mike Rutherford’s side project from Genesis quickly turned from a studio lark into a major commercial success in the US when the group’s self-titled 1985 debut produced two top-10 singles with “Silent Running (On Dangerous Ground)” and “All I Need Is a Miracle,” and when they returned with their sophomore effort, 1989’s The Living Years, they took their homeland by storm as well, with the title track hitting #2 on the UK singles chart and topping the US charts. After that, though, the Mechanics lost favor in the States – another grunge-related tragedy? – and never found top-40 success again…but don’t think that means that you shouldn’t investigate all of these digital reissues.
It’s only been a few short weeks since we introduced Emmylou Harris’s 70’s Studio Album Collection and 80’s Studio Album Collection to our digital catalog, but now it’s time to bring something from Ms. Harris’s catalog to CD…or, more specifically, to bring it back to CD.
In 2007, we put out a pretty cool Emmylou Harris box set entitled Songbird: Rare Tracks & Forgotten Gems, one which featured 78 tracks, all hand-chosen by the singer-songwriter herself. At the time of its initial release, Emmylou said of its contents, "I've selected not greatest hits but personal favorites that – with a few exceptions – have never appeared on any other compilations, but were important gems in the string of pearls that each album strives to become.” In addition, the set also included a handful of contributions she’d made to different tribute albums, various and sundry live and demo tracks, and a few collaborations.
It’s vinyl reissue time again, and this week’s offering is generally considered to be the third album by The Specials, although it’s technically credited to The Special AKA. Why the change in name? Well, you know how it goes with bands: memberships change over time, and sometimes enough members depart to make it seem a little dodgy to keep the band’s name the same.
In the case of In the Studio, which emerged almost half a decade after the previous Specials album (More Specials, released in 1980), there was good reason to view the group as an untested entity, given that Terry Hall, Lynval Golding, and Neville Staple had all headed off for the poppier pastures of Fun Boy Three, leaving Jerry Dammers as the predominant creative force. Not that he hadn’t already been writing songs, but there was definitely a major shift in the material with the aforementioned trio having departed the ranks, particularly in the political content.