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Dr. Rhino's Picks #6 (Article)
Wednesday, April 3, 2013
Well, here we are at #6. They said it couldn’t be done. They insisted. There were dares, laughter, tears, more tears and just a bit more laughter. Nevertheless, we have persevered. And we show up today with a playlist full of champions: Prince, The Replacements, Bread, Ray Charles, R.E.M. & ZZ Top. And, I guarantee that all of these songs aren’t ones that you would expect. If you do expect them, please mail yourself to Rhino so that we can examine your brain. Style!
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Deep Dive: Paul Westerberg, 14 SONGS – 25th Anniversary (Article)
Monday, June 18, 2018
25 years ago this month, the lead singer of legendary Minneapolis band The Replacements released his first official solo album. Co-produced with Matt Wallace, 14 SONGS wasn’t the first thing Paul Westerberg released under his own name. In fact, his solo career almost kicked off with ALL SHOOK DOWN, which was originally intended to be released under Westerberg’s name. Instead, it ended up being released as a Replacements album. That said, Westerberg did actually kick off his solo career in 1992 by contributing a few songs to the soundtrack of Cameron Crowe’s film SINGLES, including “Dyslexic
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Single Stories: Eagles, “New Kid in Town” (Article)
Thursday, November 9, 2017
Way back yonder in 1976, the Eagles released the first single from their HOTEL CALIFORNIA album, but do you know the story of how that single came into existence in the first place? Written by Glenn Frey, Don Henley, and J.D. Souther, “New Kid In Town” was one of those songs that started as a chorus and had the rest of the track constructed around it. The author of that chorus was the aforementioned Mr. Souther, who – after penning it – played it for the Eagles members, who promptly declared that it sounded like a hit. Uncertain about how to progress with the track, however, Souther set it
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Single Stories: Eagles, NEW KID IN TOWN (Article)
Monday, December 7, 2020
Way back yonder in 1976, the Eagles released the first single from their HOTEL CALIFORNIA album, but do you know the story of how that single came into existence in the first place? Written by Glenn Frey, Don Henley, and J.D. Souther, “New Kid In Town” was one of those songs that started as a chorus and had the rest of the track constructed around it. The author of that chorus was the aforementioned Mr. Souther, who – after penning it – played it for the Eagles members, who promptly declared that it sounded like a hit. Uncertain about how to progress with the track, however, Souther set it
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Rhino Factoids: Introducing Jimmy Page (Article)
Tuesday, June 21, 2016
50 years ago today, Jimmy Page took the stage for the first time as a member of The Yardbirds, a career move which would ultimately pay off better than he ever could have imagined. It became evident rather early on in the life of James Patrick Page that he was destined for great things – he was only 13 when he made an appearance on All Your Own, a television talent search in the UK, as part of a skiffle quartet – but things really began to take off for him as a result of performing at The Marquee Club, in London. Performing alongside Jeff Beck, Eric Clapton, Cyril Davies’ All Stars and Alexis
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The Midnighters (Article)
Tuesday, January 21, 2014
Henry Booth (vocals; born March 7, 1934, died 1978), Billy Davis (guitar), Cal Green (guitar; born June 22, 1935, died July 4, 2004), Arthur Porter (guitar), Lawson Smith (vocals), Charles Sutton (vocals), Norman Thrasher (vocals), Sonny Woods (vocals; born March 6, 1935, died 1984)Hank Ballard and the Midnighters were one of the greatest R&B vocal groups of the Fifties, setting solid harmonies and sly, risqué lyrics to lively beats. As testimony to their crossover appeal, they scored almost as impressively on the pop chart (15 hits) as they did on the R&B chart (20 hits). Moreover, they
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Happy Anniversary: Yes, “Sweetness” (Article)
Tuesday, September 29, 2015
46 years ago today, Yes unleashed their very first single onto an unsuspecting public, offering up a song full of sweetness – not least of all because that’s what it was called – but giving little clue as to the prog-rock direction in which their music would soon be heading. Yes came into existence as a result of a band with the only-in-1967 name of Mabel Greer’s Toyshop, which featured singer/guitarist Clive Bayley, drummer Bob Hagger, guitarist Peter Banks, and bassist Chris Squire. Several of those names will look familiar to you, of course, but probably not all of them. The moment in which
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The Hollies (Article)
Tuesday, January 21, 2014
Bernie Calvert (bass; born September 16, 1943), Allan Clarke (vocals; born April 15, 1942), Bobby Elliott (drums; born December 8, 1942), Eric Haydock (bass; born February 3, 1943), Tony Hicks (guitar; born September 16, 1943), Graham Nash (vocals, guitar; born February 2, 1942), Terry Sylvester (vocals, guitar; born January 8, 1947) The Hollies' rich, multi-part harmonies – sung over consistently sharp, beat-group arrangements – made them one of the most musically appealing and popular bands of the British Invasion. Indeed, the Hollies charted more hits on Billboard's Hot 100 from 1964 to
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The Yardbirds (Article)
Tuesday, January 21, 2014
In addition to their six Top 40 songs, the Yardbirds will be remembered as having produced the top three English blues-based guitarists of the '60s: Eric Clapton, Jeff Beck and Jimmy Page.The Yardbirds formed in June 1963, with Keith Relf on vocals and harmonica, Chris Dreja on guitar, Jim McCarty on drums, Paul Samwell-Smith on bass and Anthony "Top" Topham on guitar. That October, Topham was replaced by Eric Clapton. The group was originally called the Most Blueswailing Yardbirds, and their repertoire consisted entirely of blues cover songs. Their following increased when they replaced the
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The Supremes (Article)
Tuesday, January 21, 2014
The Supremes rose from the poverty of Detroit's Brewster housing project to become Motown's most consistent hitmakers and the most popular female group of the Sixties. The Supremes sang in a polished style that bridged the worlds of pop and soul. Their greatest success came with songs tailor-made for them by Motown's peerless in-house writing and production team of Brian Holland, Lamont Dozier and Eddie Holland (see "Holland-Dozier-Holland"). Under the watchful eye of Motown founder Berry Gordy, the partnership between the Supremes and Holland-Dozier-Holland yielded an astounding run of Number
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