Monkees fans, it’s time to stop singing “This Doesn’t Seem To Be My Day.” We know you’ve been chomping at the bit to find out more specifics about the so-called super deluxe edition of the Monkees’ self-titled debut ever since our pal Andrew Sandoval acknowledged its impending arrival during the band’s official convention earlier this year, but your long wait is at an end: you’re finally getting all the details on the three-disc, 100-track set.
If you’ve ever owned a copy of The Monkees in the past, then you’ll obviously recognize the first 24 tracks on Disc 1, a.k.a. the original mono and stereo albums, and if you’ve enough of a fan that you’ve invested in the various solo efforts by the members, then you’ll also be familiar with quite a lot of Disc 3, which contains Davy’s The David Jones Album (in mono and stereo) and a pair of singles along with some of Mike’s early work, when he was still calling himself Michael Blessing. But don’t worry, there’s plenty of stuff you haven’t heard before, including mono TV versions of songs, alternate takes, remixes, rehearsals, demos, and even a pair of songs by the aforementioned Mr. Blessing that’ve never been released before: “Who Do You Love” and “Get Out of My Life Woman.”
Whether you grew up in the ‘80s or not, the ABC sitcom The Goldbergs is still one of the funniest shows on broadcast TV at the moment, and for that, you can thank series creator Adam F. Goldberg, who effectively took his childhood – the highs, the lows, and a whole lot of the hilarity – and put it on the small screen for everyone to enjoy. As such, even with a great cast of comedic actors, including Jeff Garlin, Wendi McLendon-Covey, Troy Gentile, Hayley Orrantia, and George Segal, not to mention narration from Patton Oswalt, a great deal of the show lives and dies by the performance of the young man playing Adam Goldberg.
That young man’s name is Sean Giambrone, and he’s been kind enough to provide us with a Celebrity Playlist to coincide with the Season Two premiere of The Goldbergs...which, by happy coincidence, is entitled “Love Is a Mixtape.”
There aren’t a lot of bands that can claim to have been around for a full five decades – that’s half a century, people – but The Hollies can, thanks to Allan Clarke continuing to fight the good fight ever since founding the band with Graham Nash back in 1962. (Actually, Clarke and Nash had played together prior to that, but it was in ’62 that they first called themselves The Hollies.) Although Bobby Elliott can’t claim to have been there at the very, very beginning of the band, no one can say that he hasn’t been around the block a few times with them, having come aboard in August 1963. As the band prepares to release a collection to celebrate their anniversary – 50 AT FIFTY, which hits stores on October 21 – Elliott took some time to chat with Rhino about some of the highlights of his time with the band, including a backstage chat with Bruce Springsteen and having an unexpected elevator encounter with one of the funniest and most famous trios of all time.
With his traveling exhibit of artifacts from throughout his career having finally traveled to our shores (it’s currently on display at Chicago’s Museum of Contemporary Art) and the announcement that he’s got a new song on the way – “Sue (Or In A Season of Crime),” which will be included on his upcoming greatest-hits collection, Nothing Has Changed – there’s only one way to describe the current climate: everything’s coming up Bowie!
To keep things consistent for you David Bowie devotees, we’ve got a couple of new releases that’ll keep that smile on your face a bit longer, starting with a very cool 7” picture disc of “Knock on Wood,” a 2005 Tony Visconti mix of the in-concert version which appears on David Live. On the flip side, you’ll find another David Live track, “Rock ‘N’ Roll With Me,” which is also one of Visconti’s ’05 mixes. If you don’t recognize the picture which graces the A-side, then you must never have seen the original French single, since that’s where the shot could originally be found, but the photo on the B-side is a rarely-seen shot of Bowie from ’74, so it’s highly probably that it’ll be the first time you’ve laid eyes on it.
This week’s Mono Mondays release comes from the catalog of a top-notch vibraphonist, back when your average musician knew right off the top of his or her head exactly what a vibraphonist was. Kids, if you’re not in the know, you can see a vibraphone by clicking here…and once you’re done taking a gander, be sure to come back here and continue your education by learning a bit about Milt Jackson and his 1957 album, Plenty, Plenty Soul.
The story of Milt Jackson – known to his friends and fans as “Bags” – goes a little something like this: he was discovered by Dizzy Gillespie, who hired him for his sextet in 1946, soon found himself working with the likes of Woody Herman, Thelonious Monk, and Charlie Parker, and within half a decade, he, pianist John Lewis, bassist Ray Brown, and drummer Kenny Clarke had founded the group that would come to call itself the Modern Jazz Quartet.