The Electric Fetus has been a gathering place for music heads and counter-culturists in Minnesota since 1968. It began as a place to get turned on to something a little out of the ordinary, and that still holds true today. People still come together at the Fetus to talk about music and life in general, and to take in fun live performances and events.
Head on over to the Minneapolis location where you can grab a free Replacements poster with a purchase of their recently released THE COMPLETE STUDIO ALBUMS 1981-1990 boxed set, while supplies last.
Although we didn’t plan it this way, the timing really couldn’t have worked out better: just as Faith No More bassist Billy Gould is turning 52, we’re releasing the details about our upcoming expanded reissues of Faith No More’s two most commercially-successful albums, The Real Thing and Angel Dust.
First things first, though: let’s talk about William David Gould, who was born in Los Angeles in 1963 and began playing bass while he was attending Loyola High School alongside future bandmate Roddy Bottom. Gould’s first band was called The Animated, and we really wish we’d gotten to hear them, given Wikipedia’s assurance that they sounded like a cross between XTC, the Buzzcocks, and Michael Jackson. Well, that and the fact that their frontman was Chuck Mosley, who – as you may already know if you’ve clicked on this link – would soon go on to front Faith No More.
New this week in the Rhino Room at iTunes:
The B-52’s, Live! 8-24-1979 – It may not be as good as a new studio album (or then again, maybe it it’s better), but The B-52’s have surprised their fans by issuing a previously-unreleased live album recorded on…well, you see the title, so you already know when it was recorded. As for the where, the show was at the Berklee Center in Boston, Massachusetts, and features tracks from their then-new self-titled debut album as well as from their as-yet-unreleased sophomore effort, Wild Planet. The band said of the show in an accompanying statement, “We were a little scared of the audience, so we kept our heads down and focused – and we danced like mad when there was a break! Ricky (Wilson) was so fierce on the guitar – so intense – it was all so raw, and we loved it.” If you’re a fan, we’re sure you will, too.
George Benson has been recording albums under his own name since 1964, when he released the debut album that trumpeted his New Boss Guitar, so it shouldn’t come as any surprise that he’s had a few best-of sets issued over the years, including – but not limited to – The George Benson Collection, Classic Love Songs, The Greatest Hits of All, The Essential Collection, and The Best of George Benson. All of these, however, pale to our latest and greatest compilation, The Ultimate George Benson, and you can tell it’s the only George Benson best-of you’ll ever need (until the next one) because, well, the word “ultimate” is right there in the title!
Given the sort of folks who frequent this site, it almost feels superfluous to offer a reminder about Record Store Day, but just to play it safe, here goes:
RECORD STORE DAY IS THIS SATURDAY!
Actually, you know, we’re kind of glad we did that. It was pretty cathartic.
We really don’t have a whole lot else to add, beyond the reminder that you can visit RecordStoreDay.com to confirm the location(s) of the nearest participating store(s) in your area, but in the interest of self-promotion, here’s a list of all 30 limited-edition 12-inch, 10-inch, and 7-inch releases that we’ll be putting out on Saturday, and if you want a sampling of the material that you can find on them, we’ve also put together a playlist to accompany this helpful reminder.