the one after the big one
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The One after the Big One: Van Halen, 5150
Van Halen’s internal soap opera has been going on so long, it’s easy to forget it had a beginning—in 1985, when singer David Lee Roth bolted the band for both a solo career (which burned brightly for a season or...
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The One after the Big One: Madonna, LIKE A PRAYER
Today's press- and fame-seeking celebrities (be they a Cyrus, Minaj, Kardashian or a Real Housewife from somewhere) have got nothing— nothing—on Madonna, circa 1989. Madonna could make headlines without even trying, just by being seen in public with (or without)...
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The One after the Big One: Doobie Brothers, ONE STEP CLOSER
If you’d bought Patrick Simmons a beer at one of the biker bars the Doobie Brothers frequently played in 1970, and told him he was ten years away from playing the Grammys in a suit and tie with a guy...
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The One after the Big One: Elvis Costello, MIGHTY LIKE A ROSE
The late-‘80s songwriting partnership between Paul McCartney and Elvis Costello was a mutually beneficial one, to be sure. After a string of ho-hum releases, McCartney regained a modicum of cool on his 1989 album FLOWERS IN THE DIRT; that same...
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The One after the Big One: Chris Isaak, SAN FRANCISCO DAYS
There is one man and only one man who can speak to the commercial fortunes that befall the lucky fellow who carouses on a beach with a topless Helena Christensen and the cameras rolling—that man is Chris Isaak. The sexy-beyond-words...
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The One after the Big One: The Ides of March, COMMON BOND
Who can blame a young band who have had a big hit, for cutting another song from the same cloth, in an effort to score another hit? It's not a particularly novel or creative approach to songwriting or record making...
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