the one after the big one
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THE ONE AFTER THE BIG ONE: James Taylor, MUD SLIDE SLIM AND THE BLUE HORIZON
Just look at the photo of 23-year-old James Taylor on the cover of his third album, MUD SLIDE SLIM AND THE BLUE HORIZON – long-haired, mustachioed, denim-shirted troubadour, tugging at his moon-and-cat-bedecked suspenders – and recognize you are looking at...
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The One After the Big One: Tracy Chapman, CROSSROADS
Tracy Chapman’s debut record in 1988 was remarkable, not only for its quality, but also for the way in which it was embraced by the masses. The record’s earnest acoustic songs dealt with topics of social justice, economic inequality, and...
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The One After the Big One: Prince & the Revolution, AROUND THE WORLD IN A DAY
Prince didn’t make music to address commercial concerns (though his music was quite popular), make money (though he made a lot of it in his lifetime), or earn any kind of prestige (though he was and is considered among the...
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The One After the Big One: Metallica, LOAD
Some records get a raw deal, for strange reasons. It was 1996 and Metallica were about to release – finally! – the follow-up to their massive Black Album. With the exception of a box set of live recordings, there had...
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The One After the Big One: Randy Newman, LAND OF DREAMS
“I Love L.A.” was typical Randy Newman – a song so expertly played it became an earworm (if you heard it, it stayed with you the rest of the day), with lyrics so expertly written, one wasn’t sure if Newman...
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The One After the Big One: Carly Simon, HOTCAKES
“You’re So Vain,” Carly Simon’s Number One hit from 1972 (featuring Mick Jagger on harmony vocal) sent her third album, NO SECRETS, to Number One, as well, and cemented her status as a top-tier performer and songwriter (and also, ironically...
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The One After the Big One: Led Zeppelin, III
Led Zeppelin’s second record confirmed the band to be not only a top concert draw and the thunder-bringing gods of a new hard rock sound (new for 1969, at least), but also a burgeoning commercial concern, as well. The strong...
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The One After the Big One: Nicolette Larson, IN THE NICK OF TIME
But for her Top Ten cover of Neil Young’s “Lotta Love” in 1978, Nicolette Larson would’ve been an appropriate addition (at least an honorable mention) to the film 20 FEET FROM STARDOM, as one of the many fine background singers...
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The One After the Big One: Iris DeMent, THE WAY I SHOULD
Iris DeMent’s debut album, 1992’s INFAMOUS ANGEL, heralded a strong, authentic voice in country and folk music, a voice that was only amplified when her follow-up record, MY LIFE (1994) became a minor hit, landing in the Top 20 of...
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